the (text) bodies
lie before despatch
They promise nothing
as snow-filled ditches
words drift [word drifts]
away [word rifts]
from this [words rift]
As I cursed the conditions on Cam Fell only two weeks ago I now curse conclusion and introduction (I swear loudly at and in their presence). The finish is (cartographically at least) proximate but it holds little current reality. Conditions are once again disorienting and deceptive. I am haunted by the shades to my sides that smother for my attention. The claustrophobia of the elements is uncanny. Awkwardly, and urgently, a pressure impels me forward as the wind did on Cam Fell; but this urging only forces me into wrong turns and faux pas. Briefly righted. Sgraffito word-steps suggest a way onwards; they lull with the knowledge that others have been this way recently and might be cautiously accepted as some form of guide. The steps are erased and Gates offer nothing but reflected light and a swirling influx of darkness. Slowly. The certainty of the one surface is found to be duplicitous, easing me into a world of reflected topography. I re-turn a place I do not know and try again.
The scenarios are deceptively analogous.
Analogy is deceptively scenic.
the loose words lose their tongue in the trying. you lose the words in their loose tongue tying. Trying to be them. Unsettles the equilibrium for a moment that is certain. To leave a mark on skin. Surfacing with these words. Propelled, expelled the nuisance of their knowing to you and I and we and they, and all else besides. The crypt of their forgiving, foregoing the air that they need to dwell down in their dingles.
angles formed by trying to fit their limitless dimensions to a frame that has no matter. Awkward angles that jut and poke and pull and scratch and tear and puncture. Punctuate angles, all elbows and knees. Knitting together a part for a matrix. Off spring, out spring words. Dangerous words. Where are they leading? Me. Hear. They are leaving almost as soon as they came. What are we left with? You and I but not the words now. The words know they have been (and gone). To pieces. Two pieces.
The gentle breeze turns the leaves a little and reveals a lighter underside. The blackbird sings.