<<<current and future reading>>>

Berger, John. Landscapes: John Berger on Art. Edited by Tom Overton. London: Verso Books, 2016.
Gange, David. The Frayed Atlantic Edge: A Historian’s Journey from Shetland to the Channel. London: HarperCollins, 2020.
Kaufmann, Walter. Nietzsche: Philosopher, Psychologist, Antichrist. Princeton: Princeton University Press, 1974.
Sebald, W.G. After Nature. London: Penguin, 2003.
Weibel, Peter, editor. Sound Art: Sound as Medium of Art. London: MIT Press, 2019

<<<Piled on the floor after reading (open to re-reading of course)>>>

Abram, David. Becoming Animal. New York: Random House, 2011.
__________. The Spell of the Sensuous. New York: Vintage Books, 1997.
Alfrey, N. et al. Uncommon Ground: Land Art in Britain 1966 -1979. London: Hayward Publishing, 2013.
Alfrey, N. et al. Towards a New Landscape. London: Bernard Jacobson Limited, 1993.
Altamirano, Marco. “Three Concepts for Crossing the Nature Artifice Divide:  Technology, Milieu, and Machine.” Foucault Studies, No. 17 (2014): 11-35.
Ansell Pearson, Keith. Viroid Life: perspectives on Nietzsche and the transhuman condition. London: Routledge, 1997.
_______________. Germinal Life: The Difference and repetition of Deleuze. London: Routledge, 1999.
Bachelard, Gaston. The Poetics of Space. Boston: Beacon Press, 1994.
Baird, Trina-Marie. “How did walking serve as an integrative activity for Wordsworth?” Unpublished, 2008.
Baker, J.A. The Peregrine. New York: New York Review Books, 2005.
Barad, Karen. “Transmaterialities.” GLQ: A Journal of Lesbian and Gay Studies, 21: 2-3 (2015): 387-422. doi: 10.1215/10642684-2843239.
__________. “Diffracting Diffraction: Cutting Together-Apart.” Parallax, 20:3, (2014): 168-187. doi: 10.1080/13534645.2014.927623
__________. “On Touching—The Inhuman that therefore I am (v1.1).” In Power of Material – Politics of Materiality, edited by Susanne Witzgall, 153-164. Berlin, diaphanes, 2012.
__________. Meeting the universe halfway: quantum physics and the entanglement of matter and meaning. Durham, N.C.: Duke University Press, 2007.
__________. “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter.” Signs: Journal of Women in Culture and Society, 28, no. 3 (2003): 801-831.doi: 0097-9740/2003/2803-0006$10.00.
Barthes, Roland. Camera Lucida. London: Vintage, 1993.
Bate, Jonathan. Romantic Ecology: Wordsworth and the environmental tradition. London: Routledge, 1991.
Bateson, Gregory. Steps to an Ecology of Mind. Chicago: University of Chicago Press, 2000.
Beauty and Revolution: The Poetry and Art of Ian Hamilton Finlay. Cambridge: Kettle’s Yard/University of Cambridge, 2014.
Blayney-Brown, David. Romanticism. London: Phaidon, 2001.
Böhme, Gernot. “Atmosphere as the Fundamental Concept of a New Aesthetics.” Thesis Eleven 36, (1993): 113-119. doi: 10.1177/072551369303600107
Bourriaud, Nicolas. The Radicant. New York: Lukas & Sternberg, 2009.
Braidotti, Rosi. The Posthuman. Cambridge: Polity, 2013.
______________. Metamorphoses: Towards a Materialist Theory of Becoming. Cambridge: Polity Press, 2002.
Buscher, Bram and Robert Fletcher. The Conservation Revolution: Radical Ideas for Saving Nature Beyond the Anthropocene. London: Verso, 2020.
Canales, Jimena. The Physicist and the Philosopher: Einstein, Bergson and the debate that changed our understanding of time. Princeton: Princeton University Press, 2015.
Carson, Rachel. Silent Spring. London: Penguin, 1977.
Causey, Andrew. Paul Nash: Landscape and the Life of Objects. Farnham: Lund Humphries, 2013.
Clark, Thomas A. The Hundred Thousand Places. Manchester: Carcanet, 2009.
Clark, Timothy. The Cambridge Introduction to Literature and the Environment. Cambridge: Cambridge University Press, 2011.
Cocker, Mark. Our Place: Can we save Britain’s wildlife before it is too late?. London: Jonathan Cape, 2018.
Curran, Stuart, editor. The Cambridge Companion to British Romanticism. Cambridge: Cambridge University Press, 1993.
Cutts, Simon, editor. The Unpainted Landscape. London: Coracle Press, 1987.
Daley, Kenneth. The Rescue of Romanticism: Walter Pater and John Ruskin. Athens: Ohio University Press, 2001.
de Certeau, Michel. The Practice of Everyday Life. Translated by Steven Rendall. Berkeley: University of California Press, 1988.
de Landa, Manuel. A Thousand Years of Nonlinear History. New York: Swerve, 1997.
Deleuze, Gilles. The Fold. London: Bloomsbury, 2013.
_____________. Difference and Repetition. London: Continuum, 2009.
_____________. Foucault. London: Continuum, 2006.
_____________. Pure Immanence. Translated by Anne Boyman. New York: Zone Books, 2005.
_____________. Spinoza: Practical Philosophy. San Francisco: City Light Books, 1988.
_____________. Essays Critical and Clinical. Translated by Daniel W. Smith and Michael A. Greco. London: Verso, 1998.
_____________. The Logic of Sense. Translated by Mark Lester. New York: Columbia University Press, 1990.
Deleuze, Gilles & Guattari, Félix. A Thousand Plateaus. London: Continuum, 2012.
_______________________. What is Philosophy? Translated by Hugh Tomlinson and Graham Burchell. New York: Columbia University Press, 1994.
Desmond, William. Cynics. Stocksfield: Acumen, 2006.
Edensor, Tim. “Walking in the British Countryside: Reflexivity, embodied practices and ways to escape.” Body & Society, no. 6 (2000): 81-106. doi: 10.1177/1357034X00006003005
Einstein, Albert. Relativity: The Special and the general theory. Translated by Robert W. Lawson. London, The Folio Society, 2009.
Fortey, Richard. The Hidden Landscape: A Journey into the geological past. London: Pimlico, 1996.
Foucault, Michel. The Courage of the Truth. Basingstoke: Palgrave Macmillan, 2011.
____________. The Order of Things. London: Routledge, 2002.
____________. “Lives of Infamous Men.” In Michel Foucault: Power. Essential Works of Michel Foucault 1954-1984. Volume 3 edited by James D. Faubion, 157-75. New York: The New Press, 2001.
____________. Translated by Robert Hurley. The History of Sexuality Vol. III: The Care of the self. London: Penguin, 1986.
____________. Translated by Robert Hurley. The History of Sexuality Vol. II: The Use of pleasure. London: Penguin, 1985.
____________. This Is Not a Pipe. Translated by James Harkness. Berkeley: University of California Press, 1983.
____________. Language, Counter-Memory, Practice. Translated by Donald F. Bouchard and Sherry Simon. New York: Cornell University Press, 1980.
Froment-Meurice, Marc. That Is To Say: Heidegger’s Poetics. Translated by Jan Plug. Stanford: Stanford University Press, 1998.
Gibson, Alex et al. “The Excavation of Two Cairns and Associated Features at Carneddau, Carno, Powys, 1989–90.” Archaeological Journal, 150, no.1 (1993): 1-45. doi: 10.1080/00665983.1993.11078053.
Golding, Johnny. “Fractal Philosophy (And the Small Matter of Learning How to Listen): Attunement as the Task of Art.” In Deleuze and Contemporary Art, edited by Stephen Zepke and Simon O’Sullivan, 133-54. Edinburgh: Edinburgh University Press, 2010.
Gooding, Mel. de vries: chance and change. London: Thames & Hudson, 2006.
Goodwin, Mark. Steps. Sheffield: Longbarrow Press, 2014.
Graham, W.S. New Collected Poems. Edited by Matthew Francis. London: Faber & Faber, 2004.
Guattari, Félix. The Three Ecologies. London: Continuum, 2010.
Haraway, Donna J. Staying with the Trouble: Making Kin in the Chthulucene. Durham: Duke University Press, 2016.
Heidegger, Martin. Basic Writings. London: Routledge, 2008.
Hendy, David. Noise: A Human history of sound and listening. London: Profile Books, 2014.
Herzogenrath, Bernd, editor. Deleuze|Guattari & Ecology. Basingstoke: Palgrave Macmillan, 2009.
Hofstadter, Douglas R.. Gödel, Escher, Bach: an Eternal golden braid. Hassocks: The Harvester Press, 1979.
Hoskins, W.G. The Making of the English Landscape. London: Hodder and Stoughton Ltd., 1957.
Ingold, Tim. Being Alive: essays on movement, knowledge and description. London: Routledge, 2011.
________. “Footprints through the weather-world: walking, breathing, knowing.” Journal of the Royal Anthropological Institute 16, no. 1 (2010): 121-139.
________. The Perception of The Environment: Essays in livelihood, dwelling and skill. London: Routledge, 2000.
Irigaray, Luce. The Forgetting of Air in Martin Heidegger. Austin: University of Texas Press, 1999.
Jamet, Pierre. “Kenneth White and Identity.” e-CRIT3224, no.1 (2009): 7-15.
Jamie, Kathleen. Findings. London: Sort Of Books, 2005.
—. Sightlines. London: Sort Of Books, 2012.
—. surfacing. London: Sort Of Books, 2020.
Kalkhoven, Emma, editor. Between the Lines: The Work and teaching of Roger Ackling. London: Occassional Papers, 2015.
Lambert, Ray. John Constable and the Theory of Landscape Painting. Cambridge: Cambridge University Press, 2005.
Lane, Cathy and Angus Carlyle. In The Field: The Art of field recording. Axminster: Uniformbooks, 2016.
Licht, Alan. Sound Art: Beyond music, between categories. New York: Rizzoli, 2007.
Lindsay, Jack. JMW Turner. His life and work: a critical biography. London: Cory, Adams & Mackay, 1966.
Lister, Raymond. British Romantic Art. London: G. Bell & Sons, 1973.
Lomax, Yve. Passionate Being: Language, Singularity and Perseverance. London: I.B. Tauris, 2010.
_________. Sounding the Event: Escapades in Dialogue and Matters of Art, Nature and Time. London: I.B. Tauris, 2005.
Lyotard, Jean-François. The Assassination of Experience by Painting – Monory. London: Black Dog, 1998.
Mabey, Richard. The Unofficial Countryside. Wimborne Minster: Little Toller Books, 2010.
Macleod, Katy and Lin Holdridge, editors. Thinking Through Art: reflections on art as research. London: Routledge, 2006.
Macfarlane, Robert. Mountains of the Mind. London: Granta, 2003.
Maturana, Humbert R. and Varela, Francisco J.. Autopoiesis and Cognition: The Realization of the living. Dordrecht: D. Reidel Publishing Company, 1980.
May, Todd. Gilles Deleuze: An Introduction. Cambridge: Cambridge University Press, 2008.
Mazella, David. The Making of Modern Cynicism. Charlottesville: University of Virginia Press, 2007.
Merleau-Ponty, Maurice. Phenomenology of Perception. London: Routledge, 2006.
_________________. The Visible and the Invisible. Evanston: Northwestern University Pres, 1968.
Miller, Garry Fabian. HOME DART MOOR. Newton Abbot: Filtow, 2012.
Moorhouse, Paul. “The Intricacy of the Skein, The Complexity of the Web – Richard Long’s Art.” In Richard Long: A Moving World, edited by Susan Daniel-McElroy, 9-27. St Ives: Tate St Ives, 2002.
Naess, Arne. Ecology of Wisdom. London: Penguin, 2016.
____________. Ecology, community and lifestyle: outline of an ecosophy. Cambridge: Cambridge University Press, 1993.
Nancy, Jean-Luc. “The being-with of being-there.” Translated by Marie-Eve Morin. Continental Philosophy Review, no.41 (2008): 1-15. doi: 10.1007/s11007-007-9071-4.
____________. Listening. Translated by Charlotte Mandell. New York: Fordham University Press, 2007.
____________. Being Singular Plural. Stanford: Stanford University Press, 2000.
Nietzsche, Friedrich. Beyond Good and Evil. Translated by R.J.Hollingdale. London: Penguin, 1990.
_____________________. Human, All Too Human: a book for free spirits. Translated by R.J.Hollingsdale. Cambridge: Cambridge University Press, 1988.
_____________________. Daybreak: Thoughts on the prejudices of morality. Translated by R.J.Hollingdale. Cambridge: Cambridge University Press, 1983.
O’Brien, Flann. The Third Policeman. London: Harper perennial, 2007.
Pahlke, Rosemarie E. and Pia Simig (ed.). Ian Hamilton Finlay: Prints 1963-1997. Ostfildern: Cantz Verlag, 1997.
Pavord, Anna. Landskipping. London: Bloomsbury, 2017.
Perloff, Marjorie and Craig Dworkin, editors. The Sound of Poetry / The Poetry of Sound. Chicago: The University of Chicago Press, 2009.
Piper, John. British Romantic Artists. London: William Collins, 1942.
Pite, Ralph and Hester Jones, editors. W.S. Graham: Speaking Towards You. Liverpool: Liverpool University Press, 2004.
Prigogine, Ilya and Isabelle Stengers. Order Out of Chaos: Man’s new dialogue with nature. London: Fontana Paperbacks, 1988.
Rajchman, John. The Deleuze Connections. Cambridge, MA: MIT Press, 2000.
Ravilious, Robin. James Ravilious: A Life. London: Wilmington Square Books, 2017.
Roberts, Kathryn, editor. Lost Farmsteads: Deserted rural settlements in Wales. York: Council for British Archaeology, 2006.
Robinson, Tim. Experiments on Reality. London: Penguin, 2019.
Rouse, Joseph. “Barad’s Feminist Naturalism.” Division 1 Faculty Publications 14 (2004).
Sellars, John. Stoics. Chesham: Acumen, 2006.
Shaviro, Steven. Discognition. London: Repeater Books, 2015.
Shepherd, Nan. In The Cairngorms. Cambridge: Galileo Press, 2014.
_______________. The Living Mountain. Edinburgh: Canongate, 2008.
Sinclair, Iain. Black Apples of Gower. Toller Fratrum: Little Toller Books, 2016.
Smith, Jos. “‘Lithogenesis’: Towards a (Geo)Poetics of Place.” Literary Geographies, no. 1 (2015): 62-78.
Snow, Michael and Margaret, editors. The Nightfisherman: Selected Letters of W.S. Graham. Manchester: Carcanet, 1999.
Solkin, David H.. Richard Wilson: the landscape of reaction. London: Tate Gallery, 1982.
Solnit, Rebecca. A Book of Migrations. London: Verso, 2011.
The South Bank Centre. Peter Lanyon: air, land & sea. London: South Bank Centre, 1992.
Stengers, Isabelle. Cosmopolitics I. Minneapolis: University of Minnesota Press, 2003.
Stephens, Chris. Peter Lanyon: At the edge of landscape. London: 21 Publishing, 2000.
Stevenson, Frank. “Stretching Language to Its Limit: Deleuze and the Problem of Poiesis.” Concentric: Literary and Cultural Studies 35, no. 1 (2009): 77-108.
Tarlo, Harriet, editor. The Ground Aslant: An Anthology of radical landscape poetry. Exeter: Shearsman Books, 2011.
Thompson, E.P.. The Romantics: England in a Revolutionary Age. Woodbridge: Merlin, 1997.
Toop, David. Inflamed Invisible: Collected Writings on Art and Sound 1976-2018. London: Goldsmiths Press, 2019.
Tufnell, Ben. In Land: Writings Around Land Art and its Legacies. Winchester: Zero Books, 2019.
Walker, M.J.C. “Holocene (Flandrian) vegetation change and human activity in the Carneddau area of upland mid-Wales.”In Climate Change and Human Impact on the Landscape, edited by F.M. Chambers, 169-183. London: Chapman & Hall, 1993.
Treves, Toby and Barnaby Wright, editors. Soaring Flight: Peter Lanyon’s gliding paintings. London: Paul Holberton Publishing, 2015.
Van Den Berg, J.H. “The Human Body and the Significance of Human Movement: A Phenomenological Study.” Philosophy and Phenomenological Research 13, no. 2 (1952): 159-183.
Wallace, Anne D.. Walking, Literature, and English Culture: The origins and uses of peripatetic in the nineteenth century. Oxford: Clarendon Press, 1994.
White, Kenneth. “Elements of Geopoetics.” Edinburgh Review, no. 88 (1992): 163-178.
Woolf, Virginia. The Waves. London: Vintage, 2004.
Wordsworth, Dorothy. Edited by E. de Selincourt. Journals of Dorothy Wordsworth. London: Macmillan & Co. Ltd., 1941.
Wylie, John. “Dwelling and displacement: Tim Robinson and the questions of landscape.” Cultural Geographies 19, no. 3 (2012): 365-383. doi: 10.1177/1474474011429406
Yorke, M. The Spirit of Place: nine neo-Romantic artists and their times. New York: St. Martin’s Press, 1988.
Zourabichvili, François. Deleuze: A Philosophy of the event together with The Vocabulary of Deleuze. Edited by Gregg Lambert and Daniel W. Smith. Translated by Kieran Aarons. Edinburgh: Edinburgh University Press, 2012.

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